I’ve now looked closely at the cover, and also looked at the correspondence about this image. I like this cover — the clear, bright pastoral image of the field and the man in a business suit, reading, his face hidden by the book. The image itself is arresting —a bit like a Magritte painting — and asks the viewer to enter this curious world; we (I ) are drawn in, not put off. And it also says something about the “Jewish writer” — choosing books, reading and writing, even when in the midst of nature. Good colours, too.
I wanted to tell you how much I’ve enjoyed Lightness and Soul. It’s a beautiful book. A word or a phrase would catch my brain or heart or some such important organ and I would have to read it again two or three times and stop to meditate about it.
It was a great pleasure reading you on Cohen, Bloom and Weil. These are writers I know quite well; and here I have a brother in spirit, a reader that notices and values many of the same elements, bringing them out in such engaging jargon-free prose. There is much of Hemingway in your style.
More Lightness and Souls |